James Blake dropped a new track last week, and Retrograde is quiet, elliptical, lovely. But all I want to do is listen to Kwabs’ cover of Blake’s ‘The Wilhelm Scream’. It’s an altogether different song from the original. Without the underwater bloops and rupturing effects, those church-chords return me to a familiar melody that Blake only ever hints at. […]

This is a stunning version of a great song.  

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