Authors are actors, books are theaters
The poem is a capsule where we wrap up our punishable secrets.
William Carlos Williams
Emily Dickinson’s test of poetry:
If I read a book [and] it makes my whole body so cold no fire can ever warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only way I know. Is there any other way.
Dickinson gave this definition in 1870 to Thomas Wentworth Higginson. I found it in Edward Hirsch’s How to Read a Poem and Fall in Love with Poetry, which I am thoroughly enjoying. You can read the first chapter, including more on the quote, online thanks to the Poetry Foundation.
This year’s National Book Award finalist Strangers In Their Own Land by Arlie Russell Hochschild about tea party supporters in Louisiana, and last year’s winner Between the World and Me by Ta-Nehisi Coates.
Between the World and Me is perhaps teh best book I’Ve read in the last five years, I might just reread Coates open letter about the Black condition, and I’ll add Strangers In Their Own Land to my to-read list.
August’s been a pretty good month reading-wise. I finished a novel and read another for the #2016classicschallenge – Ingrid Bachmann’s Malina and Toni Morrison’s Song of Solomon – and a wide range of other books:
Ingrid Bachmann: Malina
I picked up this book at my parent’s one weekend in July, and decided to read the novel as my July #2016classicschallenge. Malina is the first novel of Austrian poet and writer Ingrid Bachmann. It’s excellent, a love story of sorts and also an exploration of language, self, mental health, and the post-WWII generation told through the first-person narrator, a woman writer living in Vienna with her roommate Malina. The narration is so complex, intimate and intensive that it took me awhile to get into it and was hard to finish (for personal reasons) but I definitely recommend it.
Dave Zirin: Brazil’s Dance with the Devil: The World Cup, The Olympics, and the Struggle for Democracy
Dave Zirin is maybe the most interesting sports writer today. His blend of sport reporting, class analysis and leftist politics here comes in form of a report on the impact of the 2014 World Cup and 2016 Olympics on the people of Rio. The book includes a brief, concise history of Brazil, and I was especially impressed by the way Zirin connected Naomi Klein’s Shock Doctrine to the sports sphere.
Jeannette Walls: The Glass Castle
I can barely believe this memoir is true. The childhood story of journalist and writer Jeannette Walls is one of abject white poverty, both neglect and love by her parents. The layers abuse sometimes made me so mad that I could barely keep reading, but Walls prose is so enthralling that I stuck with it. Overall it’s a coming of age story of a future gossip journalist that could be the plot of a Toni Morrison novel. The role of reading as escape, escapism and as habitus marker alone is fascinating.
Toni Morrison: Song of Solomon
My August classic, and one of the novel mentioned by the Swedes when Morrison received her Nobel prize. I’m always awed how compact her narrative and prose is. In this comparatively brief novel, Morrison tells about a century of African-American history, posits questions of race, gender and family, the role of lineage, death and love in Black communities, and creates complex, messy characters. Perfect.
Paul Beatty: The Sellout
An odd book to follow Morrison for a number of reasons. Paul Beatty’s novel about a man in the agrarian hood of Dickens in LA county who wants to bring his town back on the map and in the process unintentionally becomes the master a slave and intentionally (faux) segregates the neighborhood is being hailed as one of the best satires of recent time. I don’t really agree. I don’t think the book is that well written, the scorching snide side remarks and references are at times just packed to tightly, and the book does make a lot of use of the nword (always ending in -er. never in -a) and reproduces a lot of racism and sexism. I know that that’s the point, but sometimes he overdoes it. Also, I’m not so sure if it’s a satire at all. A lot of the book is hyperbolic and satirical, but I didn’t read it as hysterical or humerous as a many (also white) critics did. At first I thought it really was supposed to be “Swiftian satire” as one of the blurbs claims, but halfway through I started reading as more angry than entertaining. It does critique pretty much every contemporary aspect of U.S. society, both mainstream and Black, and once I understood it to be a extremely eloquent “Shit’s Fucked Up and Bullshit” sign, I connected to it more.
We’ve all been there: Those days in bed, when
the space left by heartache and/or ennui cannot be filled by books, magazines, lovers or our extensive guitar collection. Jokes aside, I dig the aesthetics of this new Lydia Loveless video for “Longer,” a precursor to her new album Real, out on Bloodshot in August.
Almost as important as the words were the ways the books felt and smelled. In turning the thick pages of old books, in heavy, cracked cardboard covers or vellum bindings, or the crumbling, flaky pages of other volumes, one could imagine what Marx might have felt as he held a particular tome in his hands while researching his great tracts in the Reading Room of the British Museum. In the cloying smells released when ancient volumes were opened up, one could sniff out hints of lost printing techniques and paper-making methods, of inks manufactured centuries ago.
Received a wonderful variety of books for Christmas 🎅�
What comforts me about books in terms of anxiety is that, once you are involved in the story, you go from the beginning to the middle to the end. Even if the structure of the narrative isn’t that simple or straightforward, I have the whole story right there in front of me and I don’t have to wait so long to see if the main character will be in danger or will get their heart broken. The next big event is just a page away, and it’s something I take comfort in when I feel like my life is unpredictable. When I am reading a book, I know the story is already written and no mistakes I make could possibly change the outcome; it’s pretty much set in stone. The same doesn’t apply to our lives and this unpredictability is what upsets me.