The Oscars Love Racial Reconciliation Movies.

Wesley Morris sums up the problem with Oscar-winning movies like The Green Book for the New York Times: The money is ostensibly for legitimate assistance, but it also seems to paper over all that’s potentially fraught about race. The relationship is entirely conscripted as service and bound by capitalism and the fantastically presumptive leap is, …

“Was Holly Golightly Bisexual?”

For the Paris Review, Rebecca Renner compares Truman Capote’s novella and the Breakfast at Tiffany’s movie script, particularly concerning Holly Golightly’s sexuality: “In other words, Holly’s sexuality doesn’t matter quite as much as how the world perceives and polices it. For Holly, sexuality is part of the persona she has woven around herself. She is …