So here we are finally on our knees waiting for the world to shake us off like a bad case of the fleas
With “The Fleas”, Frank Turner & Jon Snodgrass released a new song for the apocalypse. The song is from “Buddies II: Still Buddies”, a lovely, conversational record made by friends. It’s out now on Xtra Mile, and I think the vinyl is already sold out. Guess we’re all looking for friends who can soundtrack our apocalypse.
“Doch die sogenannten Rassismuserfahrungen weißer Menschen sind nicht die gleichen, die ich mache. Wer zuvor gut aufgepasst hat, weiß, dass sich weiße Menschen selbst zu einer überlegenen Rasse erklärten. Diese Theorie trugen sie während der Kolonialisierung in fast jeden Winkel der Welt. Es stimmt also, dass weiße Menschen in diesen Momenten die Auswirkungen von Rassismus zu spüren kriegen, jedoch – anders als bei mir – nicht als Benachteiligte, sondern als priviligierte Person.”
[“But the so-called racism experiences of white people are not the same as the ones I experience. Anyone who has paid close attention before knows that white people declared themselves a superior race. They carried this theory to almost every corner of the world during the colonization. So it is true that white people feel the effects of racism in these moments, but – unlike me – not as a disadvantaged, but as a privileged person.”]
“Was weiße Menschen über Rassismus nicht hören wollen wollen aber wissen sollten” by German author Alice Hasters is an excellent, personal book on racism and an ideal introduction to the subject for white Germans. Anyone who has already dealt with the topic in the US American and British context will already be familiar with many of the elements and concepts presented, but the strength of the book is precisely the focus on German perspectives, e.g. the effects of German colonial history or the forms of everyday racism and microaggressions in Germany. It also goes into detail why prejudice against white people isn’t racism. I can really recommend the book to all German readers.
I read the book over the summer. The book has received a lot of attention in the last few days in Germany, after German comedian Dieter Nuhr spoke about it on his TV show. He claimed to have seen it in a book store at the airport and called the title racist against white people because it makes attributions based on skin colour. He also claimed the book hit was a big hit in the United States (so far it’s only been published in German) and that this kind of “pseudo-intellectual” discourse was one of the reasons Trumpism happened. In other words, he acted exactly like the kind of white person who should read this book, used his large ‘satirical’ plattform to punch down at a Black woman, and got offended by a slightly provocative title and piled onto an already existing, sub-complex critique of identity politics. Nuhr’s ignorance would be hilarious if it wasn’t so dangerous.
And while the quote I started with is the most topical this week (and the one I shared on instagram) the key quote for this book – and white people like Dieter Nuhr – is the closing paragraph:
“Sich mit der eigenen Identität und Rassismus auseinanderzusetzen, ist viel Arbeit, ist teilweise schmerzhaft und braucht Zeit. Soweit ich das bisher beurteilen kann, kann ich diesen Prozess aber nur empfehlen. So anstrengend und angsteinflößend er am Anfang auch scheinen mag – er macht glücklich. Und frei.”
“Dealing with your own identity and racism is a lot of work, is sometimes painful and takes time. As far as I can tell so far, I can only recommend this process. As exhausting and scary as it may seem at first, it makes you happy. And free.”
Last week, on election day, Phoebe Bridgers promised to cover Iris by the Goo Goo Dolls if Trump lost. He lost (even if he doesn’t agree yet and Trumpists are busy smashing into the guardrails of democracy) and Phoebe Bridgers made good on her promise. She recorded the cover together with Maggie Rogers, and the song is available today only on bandcamp, and proceeds go to Stacy Abrams’ voting-rights and advocacy organization Fair Fight.
In other words, the songs ticks all the boxes of this blog’s wishlist.
“So I just think about all the children who have been separated from their parents, and there’s a lot of us, past and present, and some under more traumatic circumstances than other – like those who are in internment camps right now – and I just imagine us as an army of mutants. We’ve been touched by this monster, and our brains are forever changed, and we all have trees without branches in there, and what will happen to us? Who will we become? Who will take care of us?”
The Undocumented Americans is a tremendous book, maybe the most important book of the year. The best part about the book is hat it’s not for white liberals like me, but for other members of her community.
Cornejo Villavicencio created a great, impactful blend of memoir and reporting, productively angry in a way that reminded me of Audre Lorde. This combination enables her to write so clearly about the systematic trauma and PTSD of the undocumented experience, the impact it has on kids and adults, on families. She makes it so obvious that the problem is so much bigger than Trump, more systemic. These issues depicted in this book will not magically disappear when Biden and Harris are elected, but their victory might set the country’s car back on its wheels, and writers and activists like Cornejo Villavicencio might be able to then influence the administration, and the US might inch forward instead of racing further back.
If you’re still reading this and are a US citizen, I sincerely hope you already cast your ballot. If not, what are you waiting for? It’s almost too late.
Lydia Loveless released a tremendous new record, Daughter, last Friday. It’s sad, twangy, rootsy and near perfect. Her voice is the beautiful match to her songwriting. There are many great songs on the album, including the singles Love is Not Enough, Wringer, and the album closer Don’t Bother Mountain. The stand-out track for me is September, a piano ballad about her childhood and teenage years. Loveless commented to Stereogum: “It allowed me to let go of a lot of pain, finally recording it, as it is a fairly old song I’ve never felt comfortable releasing.”
That feeling is palpable in the song. It’s the kind of song about being stuck in the wrong place with a right person, longing to leave the hellish place, and in that way made me think of the best moments of Bruce Springsteen, Tracy Chapman and Bright Eyes.
The addition of Laura Jane Grace’s voice in the chorus add extra depth and makes it perfect.
“Dissents speak to a future age. It’s not simply to say, ‘My colleagues are wrong and I would do it this way.’ But the greatest dissents do become court opinions and gradually over time their views become the dominant view. So that’s the dissenter’s hope: that they are writing not for today but for tomorrow.”
New(ish) John K. Samson song about fantasy baseball, fascist fuckers, the end of the world, demolished hope and helping “to organize something better, something beautiful”. So basically about the summer of 2020.