If Beale Street Could Talk, the Barry Jenkins movie based on the James Baldwin novel of the same name, is a fantastic, beautiful, political, loving movie. Trish Rivers and Fonny Hunt are a young Black couple in love and expecting a baby when Fonny is arrested for a rape he didn’t commit.
Barry Jenkins and James Baldwin have one thing in common. An image/prose language that is both realistic and, at the same time, incredibly poetic. Compared to Moonlight, the outstanding 2017 Academy Award winner, Beale Street is comparatively conventional in parts, but similarly terrific. The beauty of the love between Trish and Fonny, the support of Trish’s family is in contrast to the ugliness of the racist system.
The acting of the entire cast is exceptional, Regina King as Sharon Rivers deserves winning all the awards this season, including the Oscar for best actress in a suporting role. The two young lead roles, Kiki Layne as Tish and Stephan James as Fonny are great, particularly their close ups were tremendously heavy or heavenly light, depending on the scene. The breathtaking dialogues at the window in prison reminded me of the intensity of the prison dialogues in Steven McQueen’s Hunger.
Once again, Glenn Weldon of NPR’s Popculture Happy Hour podcast also sums up this movie together perfectly: “If Beale Street Could Talk has a gorgeous urgency.”
I saw it as a Valentine’s Day preview at Zebra Kino Konstanz. The movie will be released more widely in Germany on March 7th, 2019. Go see it if you have a chance.
CLARITY AND CHAOS 