By looking at the ways in which these myths are constructed, unraveled, and challenged in The Big Lebowski, writes Comer, we can spot ethical responses and challenges to warfare in American history and popular culture. Even as the Dude adopts Bush’s language of war, he is a confused participant in a fractured, farcical narrative that challenges its viewers as much as it does the characters. The Dude, in a word, abides.
Aggression, Ethics, and War in ‘The Big Lebowski’ at the JSTOR blog.
Thoughts?