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A word on “bitch.” I initially felt that the album was a beautifully produced work of misogyny. That mostly came from me giving a quick, inattentive listen. Good Kid deserves a lot better. It is that rare rap record that actually abandons triumphalism, invulnerability, and wears the mask. Rappers like to claim to be broadcasters, not endorsers. Except it’s usually clear that they think, say, guns are pretty cool. This was that rare rap record where I thought the reflection to endorsement ratio was roughly 20 to one.

This is a great album–one that I wish had been around when I was 13. Non-rap fans should give this a listen. it is some of the best word-smithing, sentence-crafting, and beat production that hip-hop has to offer. And it is how it feels to be a black boy in the mad city. Hip-hop is obsessed with soldiers. This may be the first great record I’ve heard by someone obsessed with speaking as a civilian. And there have always been more of us than them.

I Can Feel the Changes – Ta-Nehisi Coates – The Atlantic

Ta-Nehisi Coates on Kendrick Lamar’s Good Kid, M.A.A.D. City. I loved “Swimming Pools (Drank)” when I first heard it on All Songs Considered, but didn’t really dig the album. Might give it another try, now.


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